Video Production feedback

The film has been edited with a sepia filter to mirror the original Adele video.  A lot of the techniques and the style of the video are drawn from the original and this shows an ability to achieve the look of a broadcast standard video.  The use of the focus allows close up detail and shifts in perspective and loses focus only on occasion without affecting the narrative.  A selection of shots are edited together in montage at the start using creative angles and focus to add variety. Use of the camera is steady and appropriate when it moves to add to the professional quality of the piece. Shots match the contemplative mood and atmosphere.  Canted angle and close ups are used to provide variety and detail and to engage the audience. This is an effect used in the original. Exterior shots are well composed using the rule of thirds and vanishing points cross cutting between a convincing performance and  a narrative.  The artist is clearly braded in a series of well directed close ups.  There is another montage of time lapses including well chosen mise-en-scene. The time lapse of the sky is scaled on Adobe premiere showing sophisticated editing skills. The emotion comes across due to the quality of the filming and editing 35/40

Video Production feedback

The film has been edited with a sepia filter to mirror the original Adele video.  A lot of the techniques and the style of the video are drawn from the original and this shows an ability to achieve the look of a broadcast standard video.  The use of the focus allows close up detail and shifts in perspective and loses focus only on occasion without affecting the narrative.  A selection of shots are edited together in montage at the start using creative angles and focus to add variety. Use of the camera is steady and appropriate when it moves to add to the professional quality of the piece. Shots match the contemplative mood and atmosphere.  Canted angle and close ups are used to provide variety and detail and to engage the audience. This is an effect used in the original. Exterior shots are well composed using the rule of thirds and vanishing points cross cutting between a convincing performance and  a narrative.  The artist is clearly braded in a series of well directed close ups.  There is another montage of time lapses including well chosen mise-en-scene. The time lapse of the sky is scaled on Adobe premiere showing sophisticated editing skills. The emotion comes across due to the quality of the filming and editing 35/40